![]() He was 18 months old, and I remember people wrote in He was the first child to ever be on American Vogue, This is my Vogue cover shot by Annie Leibovitz I think it was just so, like, ahead of its time,Īnd it just said, I'm a woman, and hear me roar. Past the navel, and then big slit up the front. I mean, nobody had ever shown skin, like, It was just like Donatella, Donatella, Donatella.Īnd again, massive iconic moment when she wore that dress. Of, like, fierce Versace sexiness, blonde ambition. Of those really impactful iconic moments in my career. Inspired by a film called Time of the Gypsies.Īnd I remember they lit these little fires,Īnd this campaign in particular was another one This was the first Prada shoot with Glen Luchford. There was a sort of ragtag feeling or hippie feeling.Īnd his idea of that was this more modern structured,Īnd I probably gave Shalom a run for her money in that show. That's modernizing the industry by being sustainable.Īnd Steven Meisel shot this for American Vogue. To be still a part of the Karl Lagerfeld legacy.Īnd I'm really lucky that we're doing something I kind of felt like it looked like Cleopatra,īut I love that it's called the Leopard Dress.ġ993 is when I started, I think, working with Karl.Īnd I did Chanel, I did Chloe, I did Fendi,Īs their sustainability ambassador for the entire brand. It was like over a thousand hours of artisanal work beading. Took more hours to make than any other dress in history. They called it the Leopard Dress, I believe, Now, I don't know if it still currently holds this record, My first Versace show would've been in '93.įrom working with Gianni in the beginningĪnd then working with them all the way through,Īnd then Donatella, and doing so many campaigns togetherĪnd having so many incredible iconic moments.Īnd they've created such an important part of my history. Which I think we had been missing for a bit in the '90s. It was so different than what we had been seeing in fashion. ![]() That, like, the hair, the makeup, the clothes Tom Ford just, I don't know, he just hit a note here You get kind of like the body chills when you walk out.Īnd it just was like you could just feel it. There's moments I remember in fashion, especially at shows, 'cause she's walking at a breakneck speed,Īnd it looks kind of fun and fabulous, I think.įor some reason, I was walking extra slow I don't know why I was walking so extra slouchy.Īll of a sudden was in front of me at the end of the runway,Īnd I remember her saying to me, like, Keep up with me. Which is hilarious to me because it was so not a drama. What's funny is people do like to make this into a drama, ![]() They were very, like, poetic and emotional,Īnd Peter really allowed me to express myself.Īnd so if I was, you know, moody or feeling strong or tough, Oh, this is from my first Jil Sander fashion show.Īnd I did a few campaigns for her that were really cool. I had this kind of long fringe and shaggy, you know,Īnd that's where you get the little flips.Īnd became sort of the haircut everybody had. With my freshly minted tiny short pixie hairdo. I remember we shot this on the beach in Santa Monica I'm Amber Valletta, and this is my Life in Looks. So kind of cool to be a part of that history, Literally broke the internet when she wore it, Has been Googled more times than any other look in history. VP, Digital Video English, Vogue: Thespena Guatieri Senior Director, Programming, Vogue: Linda Gittleson Global Talent Casting Director: Ignacio Murilloĭirector of Content, Production, Vogue: Rahel Gebreyes Post Production Supervisor: Edward Taylor Senior Director, Production Management: Jessica Schier Archival Imagery Courtesy of: Annie Leibovitz / Trunk Archive, Roxanne Lowit.įilmed at: Hôtel Barrière Fouquet’s New Yorkĭirector of Photography: Rachel BatashviliĪssociate Director, Creative Development, Vogue: Alexandra GurvitchĪssociate Producer: Courtney Walden, Natalie Harris, Brandon Fuhr From Her First Vogue Cover in 1993 to Paying Tribute to Karl Lagerfeld 30 Years Later, this is Amber Valletta’s Life in Looks.
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